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A
Companion to Composition |
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| Introduction for Teachers | ||
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| Purpose | Audience | Limits | Structure | Attention | Confidence | Explicit | Implicit | Response| Omissions | Welcome
Persuasion Analysis in the Composition Course "Teaching English" usually means two
things in America today: the composition
of exposition (from kindergarten ABCs to the 500 word essay
in college) and the analysis of literature
(fiction, poetry). Schools need to teach all of these things, but also need
to examine what kinds of language study have been neglected or omitted. Even though commercial advertising is the most commonly encountered persuasion in our society, less than 10% of high school English teachers surveyed responded that they do anything at all with advertising. Many of those who do "something" about advertising emphasize spontaneous creativity ("Let's write an ad!"): enjoyable, but not a systematic analysis of the principles of persuasion. Political language is often such a hot potato issue that many teachers simply avoid dealing with it. Other teachers are often accused of using their podium as a pulpit for their own partisan beliefs, if they deal with any current political persuasion. It is very difficult to do non-partisan analysis. Furthermore, speech and media literacy courses, which sometimes do teach some persuasion analysis, are under budget attack in many school districts as being "frills." ("Kids already see enough television at home, blah, blah.") In college, frequently the introductory speech course is devoted primarily to student oral presentations, the "three minute speech." Only a few upperclass students, often those majoring in Advertising or Politics, the future persuaders, will take a rigorous course in persuasion. Thus, the closest thing American colleges have as a common denominator, as a universally required course for all students, is the basic "Rhetoric & Comp" courses - English 101 - or whatever it's called locally. Here's the last chance to reach a wide, non-specialist, audience involved in language studies. Democracy depends upon the informed
choice of its citizens. Such informed choice, in turn, depends on a cluster
of key concepts: free speech, a free press, an open society, and an educational
system which prepares all citizens to understand and to evaluate ideas,
information, and opinions. Some teachers will share with me these democratic goals
of providing the greatest number of citizens with some simple and useful
tools for analyzing persuasion. If so, consider using these teaching aids. Realistically, however, I don't think such changes are coming soon. Don't hold your breath. Any major reform involves a slow complex process. Yet, without waiting for whole systems to change, teachers can do something right now, as individuals, to incorporate change within existing systems. Advertising analysis, I believe, is the best starting point for a better understanding of all persuasion. Ads are fairly easy to analyze, come in carefully crafted packages, are easily available in great quantity and variety, and are frequently interesting and entertaining. Political persuasion, in contrast, is harder to analyze because it usually appears in bits and fragments, edited by others, and is intrinsically more complex than the typical simplicity of an ad. The goal of the composition teacher is to help students become better composers of the written word. The means to this end varies widely. Many excellent composition textbooks and approaches are available. No two schools, no two classrooms will ever be teaching composition the same way. Publishers, editors, and authors are constantly changing and improving their texts. Department committees are constantly debating textbook adoptions, looking for the magic bullet. Teachers are constantly adapting their strategies to the situation. The means in this website (A Companion to Composition provide you with useful items which can be incorporated within your course, if you are willing and able. Suggestions: How to Use this Site 1. Online: 11 sequential weekly assignments (Introduction & 10 sections) concurrent with your existing syllabus. 2. Online: emphasize individual units (e.g. purpose, audience, structure, limits) related specifically to parts of your existing text or syllabus. 3. In-class: you may download and print-out for class sets. (Permission granted.) Note also the available classroom one-page teaching aids. 3. Individual student assignments as topics for outside papers. If you wish, read my own introductory classroom lecture (Thinking about Thinking), spoken to mostly bright young people (at Governors State University) more eager to spend their time elsewhere, but who were required to take a composition course. During my own 40 year teaching career, I taught "Rhetoric & Comp" many times in many times and was active in various professional groups related to composition studies (NCTE, CCCC, SCA, Rhetoric Society). Vita & credentials: Hugh Rank, author
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