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Most ads do not have hidden purposes;
they simply sell a product or service.
But, two big qualifications are needed.
First, some common psychological strategies are used in ads,
and many people object to them. Vance Packard (in The Hidden
Persuaders, 1957 ) first publicized the shift in ads, away
from product-centered ("product as hero") toward
audience-centered ads using a strategy associating the product
with the consumer's needs and wants.
These "association" techniques were never deep,
dark secrets, then or now, but the average person was often unaware
of them, and not trained in schools to analyze them.
Later, in a popular book, J. W. Key (Subliminal
Seduction) claimed that secret messages were being
imbedded in ads (S-E-X in the ice cubes of whiskey ads) so that
people responded to them, unaware that they had been secretly manipulated.
Some religious groups even charged that "Satanic messages"
were secretly imbedded in rock and roll songs.
Such conspiracy theories always find some believers.
But, if such techniques were really effective, both consumerists
and cynical advertisers agree that everyone would be using
them.
Such focus on secret "mind control" not
only implies our lack of free will, but also diverts attention from
the genuine issue: preparing the greatest number of people to recognize
the commonly known and unsecret techniques of persuasion.
Secondly, corporate ads often do have hidden
or indirect purposes. Also called "institutional ads"
or "image ads" or "advocacy ads," such ads from
large corporations not selling a consumer product (e.g. oil and
chemical companies, defense and space industries) are designed to
make us "feel good" about the company.
Such multi-million dollar public relations campaigns
are usually intended to create a climate of "good will"
or favorable public opinion, when the companies or special interest
groups seek tax breaks, favorable laws, or exemption from bureaucratic
"red tape" regulations. Nor do big
corporations want the voting public to perceive them unfavorably,
for example, as polluters or "middlemen,"
or war profiteers or "merchants of death."
Eight "magic"
words: Currently,* the verbs used in American political
campaigns are extremely important because a "loophole"
in the law was created when the Supreme Court ruled that "issue
ads" run by political parties, corporations, and unions
are not subject to federal election campaign spending
limits if they did not use words of express advocacy (i.e.,
use words such as "vote for," "elect,"
"cast your ballot for," "Smith for Congress,"
"vote against," "defeat," or "reject").
For more about this important controversy, see:
Issue Ads.
* [In the 2000 campaign, $500 million
was spent on such issue ads. On December 10, 2003, the Supreme Court
closed that legal loophole, but said they were "under no illusion"
that politicians would stop seeking another way: "Money,
like water, always finds an outlet."]
Promos for radio and TV stations (including
ads, giveaways, games, and contests) also have indirect purposes:
to lure media audiences, especially during Ratings periods, so they
can increase their own ad rates.
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Generally not.
Usually, expository writers are simply trying to do a task, to
convey information clearly and coherently. Much of our workaday
writing has a very open and obvious purpose.
However, sometimes people do have concealed goals,
hidden agendas, secret reasons, or ulterior motives. ("Does
he really mean that?")
Just as some teachers have a broader purpose when
they assign political or social topics in order to get their students
to pay attention to certain issues ("to raise consciousness"),
so also do some students have hidden agendas in bringing into
their essays their own political ideology, social concerns, or
religious testimony.
People do this for a variety of reasons: to try
to persuade their teachers and peers; to show that they are on
the "right side"; to curry favor (a.k.a. fawning,
toadying, obsequious, sycophant, brownie points); to provoke
response; to "bear witness" to a Cause; or just "showing
off."
Sometimes we are unaware of our own subconscious
motives, perhaps seeking attention, affection, or esteem. We may
be naive or even self-deluded.
Check your own work (especially in controversial
topics in which you are emotionally involved) to see if
you have a "hidden agenda" or do any "special pleading."
It's easier for us to see this in other peoples' behavior.
If in doubt, ask an outsider to read your paper
for any emotional overtones suggested.
However, to repeat the opening generalization,
expository writers are usually trying to do the
job of conveying information clearly and coherently.
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